MUS504 – Estudos especiais – Teoria de Contornos

Ementa

Estudos em área de concentração secundária, pendentes de consentimento do orientador. Exigem a apresentação de trabalho, como resultante. Podem ser repetidos para crédito.

Conteúdo Programático

  • Relações de Contornos Musicais
    • Análise, Teoria, Composição e Contorno como abstração central
    • Segmentação
    • Identidade e comparação
    • Bases teóricas: cognição, matemática
    • Conceitos básicos: espaço, segmento, relação
    • Identidade: classe, primos, redução
    • Comparação: características (direção, oscilação)
    • Comparação: perfil

Avaliação

A avaliação da disciplina será realizada mediante:

  1. Relatórios orais de leituras e realização de pequenos trabalhos de análise/composição
  2. Análise ou composição (com memorial) de obra musical em formato de artigo para publicação

Metodologia

A metodologia é baseada em uma dinâmica de leitura e discussão de textos sobre os tópicos da disciplina, realização de pequenos exercícios sobre os conceitos, análise de obras e composição de pequenos experimentos musicais (opcional).

Cronograma

Bibliografia

Charles R. Adams (1976) Melodic contour typology, Ethnomusicology 20(2), p. 179–215, JSTOR, url

Robert Daniel Morris (1979) A Similarity Index for Pitch-Class Sets, Perspectives of New Music 18(1/2), p. 445, url, doi:10.2307/832996

S E Trehub, D Bull, L a Thorpe (1984) Infants' perception of melodies: the role of melodic contour., Child development 55(3), p. 821-30, pubmed

Michael L. Friedmann (1985) A Methodology for the Discussion of Contour: Its Application to Schoenberg's Music, Journal of Music Theory 29(2), p. 223, url, doi:10.2307/843614

Elizabeth West Marvin, Paul A. Laprade (1987) Relating musical contours: Extensions of a Theory for Contour, Journal of Music Theory 31(2), p. 225–267, JSTOR, url

Robert Daniel Morris (1987) Composition with pitch-classes: A theory of compositional design, Yale University Press, url

Michael L. Friedmann (1987) My contour, their contour, Journal of Music Theory 31(2), p. 268-274, url

Elizabeth West Marvin (1988) A generalized theory of musical contour: its application to melodic and rhythmic analysis of non-tonal music and its perceptual and pedagogical implications, url

Dave Headlam (1990) Row Derivation and Contour Association in Berg's Der Wein, Perspectives of New Music 28(1), p. 256-292, url

Joseph Nathan Straus (1990) Introduction to post-tonal theory, Englewood Cliffs, NJ: Prentice-Hall

Elizabeth West Marvin (1991) The perception of rhythm in non-tonal music: Rhythmic contours in the music of Edgard Varèse, Music Theory Spectrum 13(1), p. 61–78, JSTOR, url

Larry Polansky, Richard Bassein (1992) Possible and Impossible Melody: Some Formal Aspects of Contour, Journal of Music Theory 36(2), p. 259, url, doi:10.2307/843933

Zohar Eitan (1993) Melodic Contour and Musical Style: A Quantitative Study, Musikometrika 5, p. 1-68

Robert Daniel Morris (1993) New Directions in the Theory and Analysis of Musical Contour, Music Theory Spectrum 15(2), p. 205-228, url, doi:10.1525/mts.1993.15.2.02a00040

Robert John Clifford (1995) Contour as a structural element in selected pre-serial works by Anton Webern, University of Wisconsin–Madison, url

Robert Daniel Morris (1995) Equivalence and Similarity in Pitch and Their Interaction with PCSet Theory, Journal of Music Theory 39(2), p. 207, url, doi:10.2307/843967

A.T. Lindsay (1996) Using contour as a mid-level representation of melody, Citeseer, pdf

Laudella Foulkes-Levy (1996) A synthesis of recent theories of tonal melody, contour, and the diatonic scale: Implications for aural perception and cognition, SUNY Buffalo, url

Ian Quinn (1997) Fuzzy extensions to the theory of contour, Music Theory Spectrum 19(2), p. 232–263, JSTOR, url

Steven Nuss (1999) "Yes I Wrote It, but I Didn't Mean It": Hearing the Unintended in Niimi Tokuhide's Ohju (1988), Perspectives of New Music 37(2), p. 51-115, url

Mark A. Schmuckler (1999) Testing Models of Melodic Contour Similarity, Music Perception 16(3), p. 295-326

Chantal Buteau, Guerino Mazzola (2000) From contour similarity to motivic topologies, Musicae Scientiae 4(2), p. 125–150, EUROPEAN SOCIETY FOR THE COGNITIVE SCIENCES OF MUSIC, pdf

S.G. Blackburn (2000) Content based retrieval and navigation of music using melodic pitch contours(September), Citeseer, pdf

Alda de Jesus Oliveira (2001) Música na Escola Brasileira. Frequência de elementos musicais em canções vernáculas da Bahia utilizando análise manual e por computador: sugestões para aplicação na Educação Musical, Teses na Educação Musical(2), Porto Alegre: Associação Brasileira de Educação Musical

Stephen Slottow (2002) Carl Ruggles's Cadential Complex, Intégral, p. 103-138, JSTOR

Robert John Clifford (2002) Multi-level Symmetries in Webern's Op. 11, No. 1, Perspectives of New Music 40(1), p. 198-215

Sean H. Carson (2003) Trace analysis : some applications for musical contour and voice leading

R.D. Beard (2003) Contour modeling by multiple linear regression of the nineteen piano sonatas by Mozart, url

Tiina Koivisto (2004) Syntactical Space and Registral Spacing in Elliott Carter's Remembrance, Perspectives of New Music 42(2), p. 158-189

Ilya Shmulevich (2004) A Note on the Pitch Contour Similarity Index, Journal of New Music Research 33(1), p. 17-18, url, doi:10.1076/jnmr.33.1.17.35397

Sean H. Carson (2004) The Trace, Its Relation to Contour Theory, and an Application to Carter's String Quartet No. 2, Intégral 18(2), p. 113–149, JSTOR, url

Marcus Thomas Pearce (2005) The Construction and Evaluation of Statistical Models of Melodic Structure in Music Perception and Composition(December)

Roberto Thiesen (2005) Navengando em Suave Mari Magno, Op . 97 de Ernst Widmer : uma aplicação da teoria dos conjuntos e da análise de contornos, Ictus-Periódico do PPGMUS/UFBA 6

Steven A. Harper (2006) Contour and Melodic Structure in Two Homophonic Instrumental Works by Anton Webern, College Music Symposium 46, p. 105-122, url

Rebecca Lynn Wunch (2007) The merger of Jazz and Twentieth Century: a performance analysis of Donald Martino’s A set for clarinet, url

Yi-Cheng Daniel Wu (2007) Pitch contour, text setting in Anton Webern's song" Die Geheimnisvolle Floete" op. 12 no. 2(2), State University of New York at Buffalo, url

Robert Daniel Morris (2007) Mathematics and the Twelve-Tone System : Past , Present , and Future, Mathematics and Computation in Music 45(2), Timour Klouche, Thomas Noll (ed.), p. 266-288, Berlin: Springer

Timothy Patrick Byron (2008) The Processing of Pitch and Temporal Information in Relational Memory for Melodies, pdf

Rob D. Schultz (2008) Melodic Contour and Nonretrogradable Structure in the Birdsong of Olivier Messiaen, Music Theory Spectrum 30(1), p. 89-137, url, doi:10.1525/mts.2008.30.1.89

Marcos da Silva Sampaio (2008) Em torno da romã: aplicações de operações com contornos na composição, p. 92, url

Brett Clement (2009) A Study of the Instrumental Music of Frank Zappa, url

Mustafa Bor (2009) Contour reduction algorithms: a theory of pitch and duration hierarchies for post-tonal music(April), University of British Columbia, url

Rob D. Schultz (2009) A diachronic-transformational theory of musical contour relations

R. L. Bohannon, C. McDowell (2010) Art, Music, and Movement Connections for Elementary Education Teacher Candidates, General Music Today 24(1), p. 27-31, url, doi:10.1177/1048371310361675

M.A. Schmuckler (2010) Melodic Contour Similarity Using Folk Melodies, Music Perception 28(2), p. 169–194, JSTOR, url

Cibele Palopoli, Adriana Lopes da Cunha Moreira (2011) Retrato II, para duas flautas, de Gilberto Mendes: análise musical, Anais do XXI Congresso da ANPPOM, p. 1694-1700, pdf

Andie Sigler, Eliot Handelman (2011) A New Technique for Melodic Analysis, p. 1-38, pdf

Carlos Feller (2012) Chamber works for flute by Marlos Nobre, url

Jessica Jane Wan (2012) Violet Archer's “The Twenty-Third Psalm”(1952), url

Justin Salamon, Bruno Rocha, Emilia Gómez (2012) Musical Genre classification using melody features extracted from polyphonic music music signals, 2012 IEEE International Conference on Acoustics, Speech, and Signal Processing Proceedings, The Institute of Electrical and Electronics Engineers Signal Processing Society

Eugene Montague (2012) Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1, Music Theory Online 18(4), url

Amruta Vidwans, Preeti Rao (2012) Identifying Indian Classical Music Styles using Melodic Contours, International Symposium on Frontiers of Research in Speech and Music, pdf

Marcos da Silva Sampaio (2012) A Teoria de Relações de Contornos Musicais: inconsistências, soluções e ferramentas, url

Abdul Nasir Khan, M.L. Mat Kiah, Samee U. Khan, Sajjad a. Madani (2013) Towards secure mobile cloud computing: A survey, Future Generation Computer Systems 29(5), p. 1278-1299, Elsevier B.V., url, doi:10.1016/j.future.2012.08.003

J Graves, C Micheyl, AJ Oxenham (2013) Preferences for melodic contours transcend pitch, The Journal of the Acoustical Society of America 133(5), p. 3366, url, doi:10.1121/1.4805757

Marcos da Silva Sampaio, Pedro Kroger, Mara Pinheiro Menezes, Jean Menezes da Rocha, Natanael Ourives, Dennis Queiroz de Carvalho (2013) The Implementation of a Contour Module for Music21, ART Music Review 24, url

Alexandre Fontainha Ficarelli (2014) A teoria do contorno como uma das ferramentas de construção de uma performance do Sexteto - Seis prelúdios e um enigma de Francisco Mignone : apontamentos de um camerista, url

Karen J Siegel (2014) Timbral Transformations in Kaija Saariaho' s From the Grammar of Dreams, url

Daniel Biro, Dániel Péter Biró, Harald Krebs (2014) The String Quartets of Béla Bartók: Tradition and Legacy in Analytical Perspective, Oxford University Press

Claude V. Palisca, Ian D. Bent (2014) Theory, theorists, Grove Music Online, Oxford University Press., url

David Carson Berry, Sherman Van Solkema (2014) Theory, Grove Music Online, Oxford University Press, url

Héctor Garcés Puelma (2015) Análisis de un espacio arquitectónico mediante teoría de contornos y su utilización en la composición de una pieza para sexteto de cuerdas, XXV Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música, url

Liduino José Pitombeira de Oliveira (2015) A Produção de teoria composicional no Brasil, O Pensamento Musical Criativo: Teoria, Análise e os Desafios Interpretativos da Atualidade, Ilza Nogueira (ed.), p. 61-89, Salvador: UFBA

Emma E. Patterson (2015) Oral Transmission: A Marriage of Music, Language, Tradition, and Culture, Musical Offerings 6(1), p. 35-47, url, doi:10.15385/jmo.2015.6.1.2

Kate Sekula (2015) Utilizing Computer Programing to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute, Mathematics and Computation in Music 5th International Conference, MCM 2015, Tom Collins, David Meredith, Anja Volk (ed.), p. 219-230, London, UK: Springer, doi:10.1007/978-3-319-20603-5

Rob Schultz (2016) Normalizing Musical Contour Theory, Journal of Music Theory 60(1), p. 23-50, url, doi:10.1215/00222909-3448746

Aaron Carter-ényì (2016) Contour Recursion and Auto-Segmentation, Music Theory Online 22(1), p. 1-17