Bibliografia de relações de contornos musicais

C.R. Adams (1976) Melodic contour typology, Ethnomusicology 20(2), p. 179–215, JSTOR, url

Alexander R Brinkman (1980) The Melodic Process in Johann Sebastian Bach's" Orgelbüchlein", Music Theory Spectrum 2, p. 46-73, url

S E Trehub, D Bull, L a Thorpe (1984) Infants' perception of melodies: the role of melodic contour., Child development 55(3), p. 821-30, pubmed

Michael L. Friedmann (1985) A Methodology for the Discussion of Contour: Its Application to Schoenberg's Music, Journal of Music Theory 29(2), p. 223, url, doi:10.2307/843614

Robert Daniel Morris (1987) Chapter Seven, Composition with Pitch-classes: A Theory of Compositional Design, p. 281-312, New Haven and London: Yale University Press

Robert Daniel Morris (1987) Chapter Two, Composition with Pitch-classes: A Theory of Compositional Design, p. 23-58, New Haven and London: Yale University Press

Robert Daniel Morris (1987) Composition with pitch-classes: A theory of compositional design, Yale University Press, url

Michael L. Friedmann (1987) My contour, their contour, Journal of Music Theory 31(2), p. 268-274, url

Elizabeth West Marvin, Paul A. Laprade (1987) Relating musical contours: Extensions of a theory for contour, Journal of Music Theory 31(2), p. 225–267, JSTOR, url

Elizabeth West Marvin (1988) A generalized theory of musical contour: its application to melodic and rhythmic analysis of non-tonal music and its perceptual and pedagogical implications, url

B.A. Davey, H.A. Priestley (1990) Introduction to Lattices and Order, Cambridge, MA: Cambridge University Press

Elizabeth West Marvin (1991) The perception of rhythm in non-tonal music: Rhythmic contours in the music of Edgard Varèse, Music Theory Spectrum 13(1), p. 61–78, JSTOR, url

Larry Polansky, Richard Bassein (1992) Possible and Impossible Melody: Some Formal Aspects of Contour, Journal of Music Theory 36(2), p. 259, url, doi:10.2307/843933

Zohar Eitan (1993) Melodic Contour and Musical Style: A Quantitative Study, Musikometrika 5, p. 1-68

Robert John Clifford (1995) Contour as a structural element in selected pre-serial works by Anton Webern, University of Wisconsin–Madison, url

Larry Polansky (1996) Morphological metrics, Journal of New Music Research 25, p. 289-368, doi:10.1080/09298219608570710

Laudella Foulkes-Levy (1996) A synthesis of recent theories of tonal melody, contour, and the diatonic scale: Implications for aural perception and cognition, SUNY Buffalo, url

A.T. Lindsay (1996) Using contour as a mid-level representation of melody, Citeseer, pdf

Ian Quinn (1997) Fuzzy extensions to the theory of contour, Music Theory Spectrum 19(2), p. 232–263, JSTOR, url

Ian Quinn (1999) The combinatorial model of pitch contour, Music Perception 16(4), p. 439-456, url, doi:10.2307/40285803

Mark A Schmuckler (1999) Testing Models of Melodic Contour Similarity, Music Perception 16(3), p. 295-326

Chantal Buteau, Guerino Mazzola (2000) From contour similarity to motivic topologies, Musicae Scientiae 4(2), p. 125–150, EUROPEAN SOCIETY FOR THE COGNITIVE SCIENCES OF MUSIC, pdf

S.G. Blackburn (2000) Content based retrieval and navigation of music using melodic pitch contours(September), Citeseer, pdf

Tuomas Eerola, Topi Järvinen, Jukka Louhivuori, Petri Toiviainen (2001) Statistical Features and Perceived Similarity of Folk Melodies, Music Perception 18(3), p. 275-296, Cambridge, MA: Cambridge University Press, url

Alda de Jesus Oliveira (2001) Música na Escola Brasileira. Frequência de elementos musicais em canções vernáculas da Bahia utilizando análise manual e por computador: sugestões para aplicação na Educação Musical, Teses na Educação Musical(2), Porto Alegre: Associação Brasileira de Educação Musical

Sean H. Carson (2003) Trace analysis : some applications for musical contour and voice leading

R.D. Beard (2003) Contour modeling by multiple linear regression of the nineteen piano sonatas by Mozart, url

Erin E Hannon, Joel S Snyder, Tuomas Eerola, Carol L Krumhansl (2004) The role of melodic and temporal cues in perceiving musical meter., Journal of experimental psychology. Human perception and performance 30(5), p. 956-974, doi:10.1037/0096-1523.30.5.956

Sean H. Carson (2004) The Trace, Its Relation to Contour Theory, and an Application to Carter's String Quartet No. 2, Intégral 18(2), p. 113–149, JSTOR, url

Ilya Shmulevich (2004) A Note on the Pitch Contour Similarity Index, Journal of New Music Research 33(1), p. 17-18, url, doi:10.1076/jnmr.

Tuomas Eerola, Petri Toiviainen (2004) MIR in MATLAB : The MIDI Toolbox, Proceedings of the 5th International Conference on Music Information Retrieval

Marcus Thomas Pearce (2005) The Construction and Evaluation of Statistical Models of Melodic Structure in Music Perception and Composition(December)

Roberto Thiesen (2005) Navengando em Suave Mari Magno, Op . 97 de Ernst Widmer : uma aplicação da teoria dos conjuntos e da análise de contornos, Ictus-Periódico do PPGMUS/UFBA 6

Rainer Typke (2007) Music Retrieval based on Melodic Similarity(april 1973), url

Yi-Cheng Wu (2007) Pitch contour, text setting in Anton Webern's song" Die Geheimnisvolle Floete" op. 12 no. 2(2), State University of New York at Buffalo, url

Dmitri Tymoczko (2008) Three Conceptions of Musical Distance

Rob D. Schultz (2008) Melodic Contour and Nonretrogradable Structure in the Birdsong of Olivier Messiaen, Music Theory Spectrum 30(1), p. 89-137, url, doi:10.1525/mts.2008.30.1.89

Marcos da Silva Sampaio (2008) Em torno da romã: aplicações de operações com contornos na composição, p. 92, pdf

Marcos da Silva Sampaio, Pedro Kröger (2009) Goiaba: a software to process musical contours, Proceedings of the 12th Brazilian Symposium on Computer Music, p. 207-210, pdf

Rob D. Schultz (2009) A diachronic-transformational theory of musical contour relations

Mustafa Bor (2009) Contour reduction algorithms: a theory of pitch and duration hierarchies for post-tonal music(April), University of British Columbia, url

Kjell Lemström, Niko Mikkilä, Veli Mäkinen (2010) Filtering methods for content-based retrieval on indexed symbolic music databases, Proceedings of the 9th International Society for Music Information Retrieval Conference 13, p. 1-21, doi:10.1007/s10791-009-9097-9

R. L. Bohannon, C. McDowell (2010) Art, Music, and Movement Connections for Elementary Education Teacher Candidates, General Music Today 24(1), p. 27-31, url, doi:10.1177/1048371310361675

M.A. Schmuckler (2010) Melodic Contour Similarity Using Folk Melodies, Music Perception 28(2), p. 169–194, JSTOR, url

Daniel Müllensiefen, Geraint Wiggins (2011) Polynomial functions as a representation of melodic phrase contour, Systematic musicology: empirical and theoretical studies(1940), Albrecht Schneider, Arne von Ruschkowski (ed.), p. 63-88, Frankfurt: Peter Lang, pdf

Andie Sigler, Eliot Handelman (2011) A New Technique for Melodic Analysis, p. 1-38, pdf

Carl Barton, Emilios Cambouropoulos, Costas S. Iliopoulos, Zsuzsanna Lipták (2012) Melodic string matching via interval consolidation and fragmentation, IFIP Advances in Information and Communication Technology 382 AICT, p. 460-469, doi:10.1007/978-3-642-33412-2_47

Yi-Cheng Daniel Wu (2012) Reflection and representation: A unitary theory of voice leading and musical contour in 20th-century atonal and serial contrapuntal music, url

Jessica Jane Wan (2012) Violet Archer's “The Twenty-Third Psalm”(1952), url

Amruta Vidwans, Preeti Rao (2012) Identifying Indian Classical Music Styles using Melodic Contours, International Symposium on Frontiers of Research in Speech and Music, pdf

Justin Salamon, Bruno Rocha, Emilia Gómez (2012) Musical Genre classification using melody features extracted from polyphonic music music signals, 2012 IEEE International Conference on Acoustics, Speech, and Signal Processing Proceedings, The Institute of Electrical and Electronics Engineers Signal Processing Society

Eugene Montague (2012) Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1, Music Theory Online 18(4), url

Abdul Nasir Khan, M.L. Mat Kiah, Samee U. Khan, Sajjad a. Madani (2013) Towards secure mobile cloud computing: A survey, Future Generation Computer Systems 29(5), p. 1278-1299, Elsevier B.V., url, doi:10.1016/j.future.2012.08.003

J Graves, C Micheyl, AJ Oxenham (2013) Preferences for melodic contours transcend pitch, The Journal of the Acoustical Society of America 133(5), p. 3366, url, doi:10.1121/1.4805757

Alexandre Fontainha Ficarelli (2014) A teoria do contorno como uma das ferramentas de construção de uma performance do Sexteto - Seis prelúdios e um enigma de Francisco Mignone : apontamentos de um camerista, url

Jon B Prince (2014) Contributions of pitch contour, tonality, rhythm, and meter to melodic similarity., Journal of experimental psychology. Human perception and performance 40(6), p. 2319-37, url, doi:10.1037/a0038010

Rachel M. Bittner, Justin Salamon, Slim Essid, Juan P. Bello (2015) Melody extraction by contour classification, Proceedings of 16th International Society for Music Information Retrieval Conference

Jose J Valero-Mas, Justin Salamon, Emilia Gómez (2015) Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming, Sound and Music Computing Conference

Kate Sekula (2015) Utilizing Computer Programing to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute, Mathematics and Computation in Music 5th International Conference, MCM 2015, Tom Collins, David Meredith, Anja Volk (ed.), p. 219-230, London, UK: Springer, doi:10.1007/978-3-319-20603-5

Rob D. Schultz (2016) Normalizing Musical Contour Theory, Journal of Music Theory 60(1), p. 23-50, url, doi:10.1215/00222909-3448746